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HENRY GROSS Musikchef NDR N-JOY Hamburg on HammondCast KYOURADIO

*WATCH THE VIDEO HERE:

http://ia311209.us.archive.org/2/items/JonHammondHENRYGROSSMusikchefNDRN-JOY_Hamburg_onHammondCastKYOURADIO/HENRYGROSSNDRNJOYRadioHammondCast.m4v


http://video.google.com/videoplay?docid=3198817630615591717&ei=T-oXS9q9MoyIqQP3vPFF&q=henry+gross+hammond#

Henry Gross the Musikchef or 'Program Director' of NDR N-JOY Radio in Hamburg in interview with Jon Hammond on HammondCast 
Show KYOURADIO. Henry is doing a fantastic job at NDR on the N-JOY Channel, which now enjoys a very high listenership. Here him speak
about this very interesting topic with Jon, N-JOY! ©http://www.HammondCast.com N-JOY http://www.n-joy.de
FRECH DURCH DEN NORDEN Die N-JOY Hotline (01805) 11 77 66 

Frech und Freunde, N-JOY@Work, Isa & Jonas, SF Hip-Hop, SF Dance, SF Rock, Music Meeting, SF Live On Tape, Boris Dlugosch, Flavor Mix, N-JOY In The Mix, N-JOY Abstrait, N-JOY Lounge

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Labels: Henry Gross, Local 802 Musicians, N-JOY In The Mix, Orgel, XK-3c

& - 802 a accordion alex am and as ascap at b3 band barry bergerbernard blues bý cbs champlin city club daily david drums for franciscofrankfurt from funk funky guitar hamburg hammond hammond'shammondcast heinz his host http:--www.hammondcast.com in is james jazz jazzkeller joe jon jon hammond jon's kycy kyou kyouradio lakatos late learjet lichius livelocal mctv music musicians musikmesse ndr network new night of onorgan paris playing preston purdie radio rent san sax show smithsons soul special suzuki tenor thanks the this time to tony tv union was withxb-2 xk-1 xk-3c year york ©

*LISTEN TO HammondCast HERE: HammondCast 138 with very special guest CINDY BLACKMAN drums. Interview with Jon and music from her new album "Music For The New Millenium" "Sam Pei", "Insight (from my father)", "Stars In Eyes" and 1990 recording withJon Hammond on B3 organ at Showmans Lounge Harlem NYC "Blues In The Night" with Cindy on drums, Percy France tenor sax R.I.P., Gary Bartz sop. sax, Charlie Epps nylon string electric guitar, © www.HammondCast.com Elmar Lemes Photo of Jon Hammond at XK-3 Organ at Local 802 Monday Night Jazz Session Jon Hammond MySpace Jon Hammond is an endorsed artist of Hammond Suzuki USA ASCAP Network Behind The Beat Jon Hammond "Late Rent" Cindy Blackman MySpace HammondCast *Note: Charlie is often seen at Local 802 Monday Night Jazz sessions sponsored by Jazz Foundation of America Photo Charlie Epps guitar at Local 802 photo by Jon Hammond Cindy Blackman, Drums, Lenny Kravitz, Jon Hammond, Gary Bartz, Percy France, Showmans Lounge, B3 organ, XK-3c, XK-1, XB-2, Blues In The Night, HammondCast, KYOU Radio, NDR Jazz, Blues, Local 802 Musicians Union

Fingerflitzer to meet Wolf Blitzer! http://www.zooomr.com/photos/hammondcast/7243816/ CNN Situation Room Starbucks HammondCast KYOU Radio

http://hammondcast.livejournal.com/45182.html Breaking News: Jon Hammond The Fingerflitzer to meet Wolf Blitzer CNN Now that Jon Hammond was recently dubbed "Fingerflitzer" by Henrik Drüner of Kieler Nachtrichten "Versierte Fingerflitzer Kiel - Er scheint die Einladung ernst gemeint zu haben. Vor dem Konzert drückt Jon Hammond dem verdutzten Rezensenten seine Visitenkarte in die Hand. „Hi, ich bin Jon, ohne h. Wenn du das nächste Mal in New York bist, komm vorbei!“ CNN's Wolf Blitzer to meet CNN Guest Anchor Jon Hammond in Starbucks, Jon's Situation Room by Time Warner NYC Studios, "Fingerflitzer meets Wolf Blitzer" Cafe' Latte Summit! "Eingängige Melodien und markante Grooves: Jon Hammond (rechts) und Sebastian Gille. Foto: Schaller Bild vergrößern

Für den Weltenbummler sind Orte nur Stationen auf seinem Lebensweg. Chicago, Paris, Frankfurt-Bornheim, Hamburg-St.Pauli, New York. Die vielen Menschen und Musiker, die der Organist kennenlernt, bilden die Grundlage, auf der er seine späteren Referenzen, Anekdoten und Songgeschichten aufbaut. Und Jon kennt sie fast alle. Das Konzert im Blauen Engel firmiert unter The Jon Hammond Show. Warum, spüren die Zuschauer bereits nach der ersten Ansage. Jon Hammond ist ein Showman, ein Dampfplauderer, geschult in Jahrzehnten als Radio- und TV-Moderator. Obendrein ist der 55-Jährige ein ausgezeichneter Organist an der Hammond Orgel. Mit der instrumentalen Jazz-Revue begibt er sich auf die Spuren von Miles Davis, The Crusaders und Jimmy Smith, immer nach dem Slogan handelnd: „The fingers are the singers“. Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf. Mit 18 Jahren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Erst 1991 legte er sich eine digitale und leichtere XB-2 zu. Ein regelrechter Genießer: Seinen Kopf wiegt er ständig von einer Seite zur anderen, windet sich wie Stevie Wonder über seinen Fingern. Die linke Hand ersetzt dabei größtenteils den Part eines Bassisten, zusätzlich zu den verschiedenen Klangfarben, die er manuell justiert. Nicht zu ersetzen sind die Musiker, die die Jon Hammond Show auf der Bühne komplettieren. Heinz Lichius trommelt wie in jeder seiner Formationen aufs Allerfeinste, der 26-jährige Sebastian Gille verblüfft anstelle von Gabriel Coburger am Saxofon mit feinfühligen, gleichwohl kraftvollen Soli und Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Auch wenn er nicht der ehemalige Who-Gitarrist ist, wie es die Veranstalter-Info weismachen möchte - zumindest spielte er bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studio-Mix. Ein Hauptmerkmal der Instrumental-Songs: eingängige Melodie und markante Grooves. Jon Hammond verarbeitet die Begegnung mit einem traurigen Mädchen in Paris oder dem tschechischen Salsa-König ebenso wie das nächtliche Wühlen im Hotelmüll. Neben Jazz-Elementen ist sein Stil tief verwurzelt im Rock, Funk, East Bay Grease, Bossa Nova, Soul und Rhythm & Blues. Bisweilen klingen die seichten Stücke, allen voran Duke Ellingtons Satin Doll oder Moanin' von Art Blakey & The Jazz Messengers, wie auf einem Kreuzfahrtdampfer, aber die Protagonisten reißen frühzeitig das Ruder herum, indem sie mit Shuffle-Witz und Funk-Schweiß dagegen halten. Wolf Blitzer, CNN, Situation Room, Jon Hammond Show bot im Blauen Engel leidenschaftlichen Hammond-Sound Versierte Fingerflitzer Kiel - Er scheint die Einladung ernst gemeint zu haben. Vor dem Konzert drückt Jon Hammond dem verdutzten Rezensenten seine Visitenkarte in die Hand, Hi, ich bin Jon, ohne h. Wenn du das nächste Mal in New York bist, komm vorbei

Kiel - Er scheint die Einladung ernst gemeint zu haben. ireport Versierte Fingerflitzer / Experienced fingers Flitzer Kieler Nachtrichten KN-online: Jon Hammond Show bot im Blauen Engel leidenschaftlichen Hammond-Sound Henrik Drüner | kn | 27.03.2009 20:27 Uhr

www.HammondCast.com Jon Hammond Band MySpace Kiel - Er scheint die Einladung ernst gemeint zu haben. Vor dem Konzert drückt Jon Hammond dem verdutzten Rezensenten seine Visitenkarte in die Hand. „Hi, ich bin Jon, ohne h. Wenn du das nächste Mal in New York bist, komm vorbei!“

Kiel - It seems that the invitation to have earnest. Before the concert Jon Hammond puts the reviewer baffled his business card in hand. "Hi, I'm Jon, without h. If you have the next time you're in New York, come over!" Für den Weltenbummler sind Orte nur Stationen auf seinem Lebensweg. Chicago, Paris, Frankfurt-Bornheim, Hamburg-St.Pauli, New York. Die vielen Menschen und Musiker, die der Organist kennenlernt, bilden die Grundlage, auf der er seine späteren Referenzen, Anekdoten und Songgeschichten aufbaut. Und Jon kennt sie fast alle. Das Konzert im Blauen Engel firmiert unter The Jon Hammond Show. Warum, spüren die Zuschauer bereits nach der ersten Ansage. Jon Hammond ist ein Showman, ein Dampfplauderer, geschult in Jahrzehnten als Radio- und TV-Moderator. Obendrein ist der 55-Jährige ein ausgezeichneter Organist an der Hammond Orgel. Mit der instrumentalen Jazz-Revue begibt er sich auf die Spuren von Miles Davis, The Crusaders und Jimmy Smith, immer nach dem Slogan handelnd: „The fingers are the singers“. For the globetrotter only stations are places on his life. Chicago, Paris, Frankfurt-Bornheim, Hamburg-St.Pauli, New York. The many people and musicians who know the organist, are the basis on which his subsequent references, anecdotes and stories song builds. And Jon knows them all. The concert at the Blue Angel trades under The Jon Hammond Show. Why, feel the viewers already after the first announcement. Jon Hammond is a showman, a Dampfplauderer, trained in decades as a radio and TV presenter. On top is the 55-year-old is an excellent organist at the Hammond organ. With the instrumental jazz revue he goes to the footsteps of Miles Davis, The Crusaders and Jimmy Smith, always acting under the slogan: "The fingers are the singers." Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf. Mit 18 Jahren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Erst 1991 legte er sich eine digitale und leichtere XB-2 zu. Ein regelrechter Genießer: Seinen Kopf wiegt er ständig von einer Seite zur anderen, windet sich wie Stevie Wonder über seinen Fingern. Die linke Hand ersetzt dabei größtenteils den Part eines Bassisten, zusätzlich zu den verschiedenen Klangfarben, die er manuell justiert. Nicht zu ersetzen sind die Musiker, die die Jon Hammond Show auf der Bühne komplettieren. Heinz Lichius trommelt wie in jeder seiner Formationen aufs Allerfeinste, der 26-jährige Sebastian Gille verblüfft anstelle von Gabriel Coburger am Saxofon mit feinfühligen, gleichwohl kraftvollen Soli und Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Auch wenn er nicht der ehemalige Who-Gitarrist ist, wie es die Veranstalter-Info weismachen möchte - zumindest spielte er bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studio-Mix. In the game's Jon Hammond absolutely in his music and his passion for the good old Hammond sound. At the age of 18 he purchased his first Hammond B3 and the band toured with Hades in the act for Tower of Power or Michael Bloomfield. Only in 1991, he is a digital and easier to XB-2. A veritable connoisseur: he weighs his head constantly from one side to another, winding up as Stevie Wonder on his fingers. The left hand is largely replaced the role a bass player, in addition to the various sounds, which he manually adjusted. Not to replace the musicians, the show Jon Hammond on the scene complete. Heinz Lichius drums as in each of its formations to the very best, the 26-year-old Sebastian Gille perplexed Gabriel instead of Coburger on saxophone with subtle, though powerful solos and guitarist Joe Berger is like a string Hasardeur. Even if he is not the former Who guitarist, as it is the Organizer's Info weismachen wants - at least he played with Who bassist John Entwistle and arranged for his band in the studio mix. Ein Hauptmerkmal der Instrumental-Songs: eingängige Melodie und markante Grooves. Jon Hammond verarbeitet die Begegnung mit einem traurigen Mädchen in Paris oder dem tschechischen Salsa-König ebenso wie das nächtliche Wühlen im Hotelmüll. Neben Jazz-Elementen ist sein Stil tief verwurzelt im Rock, Funk, East Bay Grease, Bossa Nova, Soul und Rhythm & Blues. Bisweilen klingen die seichten Stücke, allen voran Duke Ellingtons Satin Doll oder Moanin' von Art Blakey & The Jazz Messengers, wie auf einem Kreuzfahrtdampfer, aber die Protagonisten reißen frühzeitig das Ruder herum, indem sie mit Shuffle-Witz und Funk-Schweiß dagegen halten. A main feature of the instrumental songs: catchy melody and strong grooves. Jon Hammond handles the sad encounter with a girl in Paris or the Czech King Salsa as well as rooting the night in the hotel garbage. In addition to jazz elements is his style deeply rooted in rock, funk, East Bay Grease, Bossa Nova, Soul and Rhythm & Blues. Sometimes the sound shallow pieces, most notably Duke Ellington Satin Doll or Moanin 'by Art Blakey & The Jazz Messengers, as on a cruise ship, but the early protagonists break the rudder around, they joke with Shuffle and Radio welding on the other hand hold. Kiel Er scheint die Einladung ernst gemeint zu haben. Vor dem Konzert drückt Jon Hammond dem verdutzten Rezensenten seine Visitenkarte in die Hand

Mercy in BLAUER ENGEL Kiel JON HAMMOND Band

Watch The Video Here: Encore performance JON HAMMOND Band in BLAUER ENGEL Kiel Germany Mercy Mercy, SEBASTIAN GILLE - tenor sax HEINZ LICHIUS - drums JOE BERGER - guitar JON HAMMOND - Hammond Organ Camera: Jennifer, Special thanks: Lutz & Blauer Engel Keil Team, Heinz Lichius, Superlux Microphones, Hammond Suzuki, Apple Store Fifth Avenue Team, Panasonic Cameras Jon Hammond is Host of daily radio program HammondCast Show on KYOU Radio © JON HAMMOND Intl. http://www.jonhammondband.com

Watch The Video Here: Bandstand cam in Kaiserkeller during run through of Jon Hammond's Hip Hop Chitlins with Oliver Groenewald Newnet in Detmold with Christian Schoenefeldt drums, Ingo Senst bass Shawn Grocott trombone Kurt Studenroth tenor sax Jon Hammond XB-2 Organ Dez. 1997 © http://www.HammondCast.com Oliver Groenewald, Jon Hammond, Kurt Studenroth, Ingo Senst, Detmold, Shawn Grocott, Kaiserkeller, Chitlins, HammondCast, KYOURADIO, Organ, Jazz

Watch The Video Here: Jon Hammond Band in Jazzkeller Hofheim playing Jon's funk composition "Pocket Funk" featuring full-power solos by tenor saxophonist TONY LAKATOS, JOE BERGER guitar, HEINZ LICHIUS drums, JON HAMMOND organ bass, camera by Jennifer Jon Hammond is host of HammondCast radio show on KYOURADIO © http://www.HammondCast.com Pocket Funk, Tony Lakatos, Jon Hammond, Heinz Lichius, Joe Berger, Jazzkeller Hofheim, Organ, Funky Jazz, Hungarian, Hammond Cast KYOURADIO, Lufthansa

Jon http://digg.com/music/Hammond_Cast_on_Blinkx_Winter_NAMM_tomorrow_in_Anaheim_CA c u in Anaheim NAMM Heads! Jon Hammond

Jon Hammond *Member American Federation of Musicians Union Local 802 and Host of HammondCast Show on KYOURADIO / KYCY 1550 AM Presents jazz producer Todd Barkan with original black & white photograph of MAX ROACH Jazz Drummer (January 10, 1924 – August 16, 2007) seen in the famous photo by Hammond performing in Barkans defunct San Francisco jazz club Keystone Korner in North Beach year 1981: Barkan is now Program Director of Dizzy's Club Coca Cola at Jazz At Lincoln Center, interviewed by Jon Hammond for HammondCast Show WATCH THE VIDEO: Hammond seen here with Jazz Guitarist KENNY BURRELL in Hannover Germany: Special guest Todd Barkan on HammondCast Show KYOURADIO, Jon Hammond interview with Todd Barkan, who ran Keystone Korner in North Beach. When Keystone closed in 1983, it was one of the last San Francisco clubs to regularly book national and international touring jazz groups. Barkan is now the artistic director of Dizzy's Club Coca-Cola, the jazz club operated by Jazz at Lincoln Center in New York, and he's also a highly regarded producer who works with numerous domestic and European jazz labels. ©2008 http://www.HammondCast.com Todd Barkan http://www.toddbarkan.com/ Todd Barkan, Keystone Korner, Jon Hammond, Wynton Marsalis, Dizzy's Club Coca Cola, Jazz At Lincoln Center, HammondCast, KYOURADIO, Dexter Gordon, Art Blakey, Max Roach, Fantasy Records

'You Too Beautiful' from Jon Hammond Show MCTV, Jazz in Kampo and special appearance by Les Paul

Hammond Cast First run-through of jazz ballad "You Are Too Beautiful" in studio session at Kampo Cultural Center as seen on The Jon Hammond Show on MCTV, Joe Lee Wilson vocals, Leroy Vinnegar bass, Jimmy Ponder guitar (in isolation booth drummer Bruno Carr heard on another take) This film is over 20 years old shot by Mr. Hammond personally with a special appearance at end by LES PAUL. Special thanks Joe Berger, Teruo Nakamura. Jon Hammond is Host of daily radio program HammondCast Show on KYOURADIO / KYCY 1550 AM CBS Radio Network. © http://www.HammondCast.com *Note: The Jon Hammond Show TV Show is now in 25th year and seen on MNNTV in New York City

From Russia With Love - Jon Hammond Trio Moscow Concerts

The story of my first concerts in Russia with Igor Butman (sax), Eduard Zizak (drums) by organist Jon Hammond (USA) for Jazz Quad

Coming to Russia to play in concert together with Igor Butman and Eduard Zizak recently, was one of the greatest experiences in my life/career! I was highly anticipating this journey for many reasons. First of all since my family originally came from Russia and Latvia many years ago, I had heard so many stories as a young child about the land and people I was about to visit. My grandparents were never able to return to Russia but when I arrived it felt like I was coming home.

From the beginning of my preparations I could see that this was not going to be any ordinary music tour! From obtaining visas it was apparent that the procedure was slightly different. I traveled with my girlfriend Jennifer on British Airways departing JFK to London and then from there we changed planes to Moscow. Upon arriving at Moscow SVO airport we quickly found ourselves among 20 persons who arrived with no baggage. There was nobody there to speak in English with from BA, so we had an interesting conversation and procedure with the official Lost and Found desk there and filled out the Baggage Irregularity Report papers. Leaving the customs area without our baggage we were very happy when we stepped out and saw a nice man holding a big Jon Hammond poster. We knew this was our man!
Luckily we came 2 days before the concerts and our bags were finally found and delivered to our hotel the next day.
Marat Garipov, the gentleman who came to pick us up, is one of Igor Butman's managers. Very nice guy and we had a great time speaking with him on the drive in to Moscow about his daughters and many shared interests. The traffic was very heavy coming in and it took about 1 1/2 hours to come in to Moscow, but we got a great first look at beautiful Moscow! What an incredible city...to me it looks like the Magic Kingdom that Walt Disney tried to recreate, only many of the buildings were built hundreds of years ago! Fantastic architecture.
When we checked in to the hotel, first we had to surrender our passports for some sort of official process. When we came up to our room on the 10th floor we found that we had a spectacular view of Red Square right outside our windows! The view was absolutely magnificent. Because it was the 3rd week of June, the days are the longest of the year and known as the White Nights. 10 at night looked like bright daylight! My first night I spent making many calls to trace our baggage and see about getting our passports back while my girlfriend slept. Finally back in posesssion of my instruments and our passports I was then very relieved and could really start enjoying the fact that I was really in Moscow!

The night before my first concert at Le Club, we were guests to attend the concert of bassist Alex Rostotsky and his fine group. We had a very enjoyable time dining and listening to Alex's music and got to meet him and his musicians later in the evening. We also had the pleasure of meeting Faina Antonova who is Igor's manager and also managing Le Club. She is very nice and took great care in arranging every detail of our stay in Moscow. I knew right away that we were in care of special angels. After a wonderful dinner/show and cappucinos at Le Club, Faina personally drove us back to our hotel, the famous Rossiya by Red Square. I was very tired by this point so I slept like a rock.

The next day was the big Friday of our first show. Most of the day I stayed in the room practicing my instrument and looking out at Red Square. Jennifer and I wanted to get to the club early so that we could get a sound check and settle in. Faina picked us up and we stuffed my organ and all our equipment in her compact car and off we went to Le Club in the Taganka Theatre Building.
When we arrived the big friendly doormen picked up my heavy cases like they were toothpicks and brought them up the stairs for me! Vladimir the sound engineer for the club was very smooth and professional, and a very nice guy. We got a good sound on the organ and then came Eduard Zizak the great drummer! I had already met Eduard in New York the week before when he was there performing with Igor's quartet at Birdland. Eduard is an incredible drummer and also a very nice guy. We made a little soundcheck and right away I could tell that he had listened to my music and we would lock up with some very tight grooves...no problem!
But where was Igor? I was hoping for a little mini-rehearsel with Igor but when I saw the public coming in to have dinner I knew it was too late for that! Igor arrived with his entourage and it was great to see him...he told me not to worry and apologised for not coming earlier. Igor is in big demand with a very busy schedule, so I am very lucky and honored that he could take the time to perform with me together even as his new cd album "Prophecy" was just released on the Universal Label.
We had time only for a 5 minute soundcheck and I showed Igor my book. This was going to be a very spontaneous performance, no doubt about it!
We decided to record it, and Vladimir did a fantastic job on the recording on their new digital recording console that they had just brought back from New York.
From the first notes I knew that this would be one of those magic nights I would never forget. The response from the audience was wonderful. I could only say in Russsian, "Ya LuBlu Vas"...which means, I love you all. And when I said the words to the people I got a great feeling back from them. First set was just fine and then on the break I was introduced to many press people and some fantastic local musicians. I was very honored that they all came to greet me. And then Igor proudly introduced me to 2 of the legendary jazz musicians of Moscow-accordionist Vladimir Danilin and guitarist Alexei Kuznezov. They said they had their instruments in the car and so yes we decided right away to make a live session together.
It was incredible from the first song on the 2nd set, playing together with these fantastic Moscow musicians! It felt like we had been playing together for 20 years. These musicians are some of the greatest I have ever heard and played together with. The audience was loving every bit of it, just as much as I! I was so happy that Vladimir was getting it all on tape and Jennifer was also running the video machine and taking pictures also. By the end of the night I was very satisfied with how everything went. Igor personally drove Jennifer and I back to the hotel in his nice car with fantastic sound system.
Great night!

The next day we got a nice tour from our friends Eva Steiner and her nice husband Leo from the Austrian Embassy. We ended the afternoon by having lunch in the Rossiya and I got to have my first excellent bowl of Borscht!
I excused myself afterwards to take a nap as I was quite tired and knew it would be another big night at Le Club. I had a refreshing sleep and then I must say that the shower at the Rossiya is the best shower I have ever had in my life! The shower head resembles a little Sputnick! The water comes out full force...no water saving there at the Rossiya. Wonderful.
This time when Faina picked us up we didn't have the organ with us. For the first time I left my instrument in the club because I could see the security there is excellent, 24 hours.
Already there were journalists at the club to meet. I was very happy to meet Cyril Moshkow. We had many e mails before coming and he is a very nice guy also and very serious jazz journalist. He is the president of the Russian Jazz Journalist organization. We had a nice conversation and Cyril took some pictures of the concert for his website. Also we met Igor Moskvichev from Russian "Hit Parade" magazine and Mr. Kumalo from the South African Embassy.